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Syndication

"The Strong Female Character" sounds positive, but it's actually a term used by culture critics to describe the token girl let into the boy's clubhouse of action-adventure movies. She's supposed to kick ass -- but she has no character development, no backstory, and ends up being a love interest or damsel. But something changed this summer. Feminist fans and critics got into a spirited debate over a group of heroines, and whether we need to rethink this whole problem. With Lindsay Ellis, Carolyn Cox of The Mary Sue, and Jan Combopiano of Catalyst.

THIS IS THE END OF SEASON ONE. IMAGINARY WORLDS WILL RETURN IN THE FALL.

Direct download: Heroines.mp3
Category:general -- posted at: 7:00pm EDT

Superhero costumes used to be stand alone works of fashion that over time became dated or cringe-worthy. But lately, movie and TV superhero costumes have been looking good -- with fewer complaints from the fans. I talk with costume designers Michael Wilkinson (Watchmen, Man of Steel, Batman v. Superman), Sammy Sheldon Differ (Ant-Man, X-Men: First Class) and Jams Acheson (Spider-Man trilogy) about what's changed. They're learning new tricks, and using better technology. But there's also been a change in attitude. The designers are now constantly asking themselves, "why?" 

Direct download: Fixing_the_Hobo_Suit.mp3
Category:general -- posted at: 7:00pm EDT

I have a thing for doppelgangers. Partly it's because my brain always falls for this trick and believes on some level that the doubles are being played by different actors. Thanks to digital effects, it's easier to create doppelgangers on a TV budget (Orphan Black, Fringe) or in independent films (Moon, The One I Love.) But perhaps doppelgangers are multiplying because they tap into a very modern concern: social media. With Alissa Wilkinson, Ryan Britt and Elayne Tobin. 

Direct download: Doppelgangers_2.0.mp3
Category:general -- posted at: 6:00pm EDT

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